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A montage of Vaughan concert posters

This image is a montage of posters from the Vaughan's concerts over the past few years. It might bring back some memories!

From the Vaughan Magazine - Schola Review of the Year

The following text will appear in the Vaughan Magazine to be published in September. Here is a preview!

This has been a very busy year for the Schola and the choir continues to go from strength to strength, ever increasing the ambition of its activities, its repertoire and its reputation. As always, it has sung each week at the Lower School Mass, performing a vast array of music ranging from Palestrina and Victoria through to Dove and MacMillan. In addition the Schola has continued to sing once every half-term at the Saturday evening Vigil Mass at Westminster Cathedral. This has been a very important development, allowing the choir to sing regularly in one of the world’s greatest choral acoustics. I am most grateful to the clergy of the Cathedral, and Father Alexander Master in particular, for being so very supportive of the Choir’s visits. 

In the Michaelmas term the Schola’s concert activities were based around Duruflé’s Requiem which we sang twice, once in a splendid joint concert with Ealing Abbey Choir in Ealing Abbey itself, and then by ourselves in Douai Abbey. The concert in Douai, which was very warmly received by a large audience, was given in return for the fathers of the Abbey having been kind enough to allow us to record our latest CD In Honour of Our Lady there the previous June. There was some lovely singing in both concerts, especially in Douai where a varied first half of English music was contrasted with the glories of the Duruflé in this most wonderful of settings.

The Schola’s new CD is being sold for Aid to the Church in Need, one of several charities which the choir has helped this year. In November we sang at the Royal Festival Hall as part of a concert for The Passage, the homeless charity, and the concert at Douai was in aid of Hopes and Homes for Children. We sang for the Ordinariate of Our Lady of Walsingham’s Carol Service once again and also played in a major role in the Mayor of Kensington and Chelsea’s Carol Service which raised funds for Cystic Fibrosis.

The Vaughan’s Carol Service was a memorable occasion, held for the second year in St James’s, Spanish Place. A packed congregation of around 800 people heard carols that included two first performances, a setting of Dormi Jesu by Matthew Martin that had been commissioned by the Schola, and also a carol entitled What Child is This, which had been commissioned by The Financial Times from Fifth Form pupil Thomas Fetherstonhaugh. Thomas’s carol was recorded by the Schola for newspaper’s website and the music was printed in full in their weekend supplement early in December. As a result, Thomas was invited to appear on Radio 3’s In Tune programme, where he talked about his composition and the Schola. Recordings of both his Carol and of the Schola were played to the nation. It was a very exciting day – made more exciting still by 30 foot high pictures of Thomas, Mr Evans, myself and the Schola, being all over the advertising billboards in Shepherd’s Bush!

In the New Year the Schola gave a concert based around the Psalms of David in the Chapel of King’s College, London as part of the Brandenburg Festival. The main work was Allegri’s Miserere, in which Leo Blair performed the famous top c’s required for the solo part. David Hill, conductor of the Bach Choir and the BBC Singers, visited the School to lead a workshop with the Schola on this and other pieces for the concert at King’s Chapel. The Allegri was also performed at a very beautiful Ash Wednesday Service, which marked the welcome return of the Vaughan after a number of years to Our Lady of Victories on Kensington High Street. Poulenc’s difficult Lenten motets were performed at St John’s Smith Square in April and that same week the Schola sang at a very beautiful service entitled Via Crucis at the School which, led by Father Dominic Allain, offered a reflection on our Lord’s Passion in words and music.

In the Summer Term the Schola gave a concert for the Ordinariate of Our Lady of Walsingham at their new home, Our Lady of the Assumption & St Gregory, Warwick Street. The Choir also competed in the Choir of the Year competition and was very pleased to be awarded ‘Choir of the Day’ in our category. We returned to the Royal Festival Hall in June to sing alongside the Bach Choir in a performance of the Berlioz Te Deum and a world premiere performance of a work entitled Psalms for Leo by Jonathan Dove. This was one of several occasions when the boys worked in professional contexts this year – others included the performances of Turandot and Die Frau Ohne Schatten at the Royal Opera House in September and March respectively. There has also been a fair amount of commercial work including several film soundtracks – the most prominent of which was probably for the Johnny Depp film Transcendence.  There have been some outstanding individual achievements too – Leo Blair, Alessio D’Andrea and Joseph Outtrim performed wonderfully as rather aged boy spirits in English National Opera’s The Magic Flute in November and Alessio sang the role of Shepherd Boy in the Royal Opera’s Tosca this Summer, including performances with Placido Domingo. Leo Blair performed the solo part in Bernstein’s Chichester Psalms in a performance with the Philharmonia at the Brighton Festival. Meanwhile, Dominic Lynch performed the major role of Miles in Opera Holland Park’s production of Britten’s The Turn of the Screw, receiving outstanding reviews in all the national newspapers.

It remains only for me to thank the boys and their parents for their commitment to the Schola this year – it is no small undertaking to be in the Schola, or indeed to have a son in it! Also, I thank Mr Evans who accompanies the choir so wonderfully, Mr Jackson who is a superb assistant director, and the singing teachers for all their work with the boys. Plans for next year are very exciting and I am sure that the choir will continue to go from strength to strength.

From the Vaughan Magazine - Concert Review of The Year

The following text will appear in the Vaughan Magazine in September. Here is an early preview!

There have been performance opportunities of great variety throughout this School year, involving very many of the School’s pupils. Novelties included a wonderful Strings Day in January, when five members of the English Chamber Orchestra worked with our string players of all levels, building to a delightful concert. Other visitors included David Hill, Director of the BBC Singers and Wayne Escoffery, a member of the Mingus Big Band.  Southbank Sinfonia added to their work with us this year with a wonderful composing workshop for the Lower Sixth music students. Boys also had the chance to work with violinist Nicola Benedetti in a series of workshops and master classes whilst Patrick Huynh in the Lower Sixth was a finalist in the Young Drummer of the Year competition. Alessio D’Andrea even got to sing a solo for Placido Domingo at the Royal Opera House!

Smaller scale events have included our Early Evening Recitals held in the Michaelmas Term and also the annual Music Competition, which was once again held in the Lent Term. 114 pupils took part in this year's competition. The winners of the various heats were as follows:

Piano             

Oliver Hewins, Owen Saldanha, Dominic Doutney& Thomas Lacy

Singing                     

Alessio D’Andrea, Filippo Turkheimer, Eoghan McNelis & Thomas Galea

Brass 

Francis de Souza, Hugo Greally, Liam Clarke & Alfie Smart

Woodwind    

Owen Saldanha, David Laleye-Thomas, Aeron Dela-Cruz, Thomas Galea

Strings                      

Timothy McGarry, Emil Sieciechowicz, Thomas Fetherstonhaugh & William Lim Kee Chang

The Final, held in March, was a very lovely evening of music-making. The winners were:

Lower School Musician of the Year                       Owen Saldanha

Upper School Musician of the Year                       Dominic Doutney

Dominic, who is to attend the Royal College of Music in September, was invited to keep the Senior trophy as he has won it so many times! The competition will be a little more open perhaps next year!

In June we held the Lower School Chamber Music Competition. The winners, chosen by Howard Ionascu of the Royal Academy of Music, were Second Big Band. The Outstanding Individual Prize of the evening went to Sean Hill of the Fourth Form.

Our larger concerts began with the St Cecilia Concert in November at St Paul’s Church, Hammersmith. Around two hundred pupils performed a wide-ranging programme including music by Haydn, Copland, Mozart, Tchaikovsky and Chilcott in performances by Concert Band, Senior Strings, First and Second Orchestra, the School Choir, Schola and the Sixth Form Choir.

December saw the Vaughan's annual concert with the Belgravia Chamber Orchestra, which this year was of music by Haydn and Mozart. The concert was once again held in the wonderful surroundings of St James's, Spanish Place. Haydn's 'Nelson' Mass was the main work on the programme, in which the choir was joined by four Old Vaughanian soloists, Maud Millar, Daniel Laking, Peter Davoren and Jerome Knox, all of whom sang quite beautifully. The Mozart in the concert was the Violin Concerto in G major performed with great confidence and musicianship by Thomas Fetherstonhaugh of the Fifth Form.

Our work with our Orchestra in residence Southbank Sinfonia was particularly exciting this year, partly because of the wonderful repertoire we were exploring – Rimksy-Korsakov’s Scheherazade was the main orchestral work – and also because of the concert venue, the remarkable Jerwood Hall, at LSO St Luke’s in the Barbican. The Jerwood Hall is the home of the London Symphony Orchestra and it provided a spectacular backdrop for our concert which was surely the best of the six that we have now given sat side-by-side with Southbank Sinfonia.  The Schola sang Duruflé’s beautiful Requiem in the rarely performed full orchestral version in the first half before our two orchestras joined forces for the Russian showpiece that is Scheherazade. The pictures in this magazine give some idea of the wonderful Sunday afternoon that we spent at the Jerwood Hall, without question one of the highlights of this musical year. As always, very considerable thanks are owed to the management and players of Southbank Sinfonia who continue to support this project so very warmly.

There was another new and impressive venue for the Spring Instrumental Concert, which this year was held in the beautiful Wathen Hall at St Paul’s School.  The Vaughan has links with St Paul’s and we have been fortunate to perform in their hall in previous years with Southbank Sinfonia. This was our first proper ‘school’ concert there though, with lots of ensembles taking part. The large audience was grateful both for the excellent acoustic of the hall and also the raked seating that allowed everyone a clear view of the music-making. There was lots of strong playing, the highlight of which, for me at least, was the complete performance of Tchaikovsky’s Serenade for Strings. I have for many years urged Mr Manoras to tackle this work, one of my very favourites in the string repertoire, but he has always felt it to be too difficult. The strength of our string players at the moment though is such that he was willing to undertake the challenge – and he was rewarded with a truly remarkable performance. To perform this work in its entirety is a huge achievement, a testament to the dedicated work of Mr Manoras over many years. Other performers that evening included Thomas Galea who gave a strong performance of Mozart’s G Major Flute Concerto and Thomas Fetherstonhaugh who conducted the First Orchestra through a very creditable performance of Sibelius’s Finlandia. The younger boys played very well indeed in both Junior Strings and the Second Orchestra and there were sterling performances from Concert Band, Big Band and even a lovely guitar ensemble.

The Easter concert this year was held at St John’s, Smith Square. The second half of the concert saw the Schola perform Lenten motets by Poulenc, Casals and Lotti, and the School Choir perform Poulenc’s splendid setting of the Gloria. Old Vaughanian Maud Millar joined us as soloist for the Gloria. The concert will be most remembered though I am sure for the performance in the first half of Rachmaninov’s Second Piano Concerto with Dominic Doutney in the Upper Sixth as soloist. Accompanied by the School’s Orchestra, this was a performance of real virtuosity and complete control. Dominic is, as they say, ‘the real deal’! His playing is quite simply remarkable – he is far and away the most advanced instrumentalist that the School has known in my 19 years of leading the music. I was very pleased that in his last term, before he heads off to the Royal College of Music and no doubt a very fine career as a concert pianist, that the Vaughan was able to offer him one final platform for his talents. In a year that has seen the Vaughan’s music-making more than ever catering for pupils of all abilities this was an example of us catering for the needs of the greatly gifted.  The standing ovation that greeted the close of Dominic’s performance left no doubt that the audience were greatly moved. It was an occasion that will certainly live long in my memory and I hope provided an inspiration to the many pupils who were present. We may not all be able to achieve the levels that Dominic has, but with commitment and hard work we can fulfil our own potential, whatever that might be.